The BBC Studio aka Belltown Ballet

Fall arrives soon!

Happy end of Seattle Summer.
Here is our FALL SCHEDULE, 2026

The Pink Barre Studio is located at 4427 Rainier Ave. South and Genesee in North Columbia City. Free street parking, #'s 7 & 50 Metro, Columbia City LightRail.
All classes are on ZOOM #301-148-4007 PW 809-113.
Only Sunday & Wednesday are In Person at the Pink Barre Studio

NO CLASSES ON SEPTEMBER: 6, 11, 12, 13, 14, 15, 16

12 WEEK Fall 2026 Session
September 21-Saturday December 12

Sunday--- 1:15-2:45--- Ballet
Monday---11-12:30-----Ballet+Conditioning
Tuesday---10-11--------1 Hour Conditioning
Tuesday---11-12--------1 Hour Ballet
Wednday---6:15-7:45---Ballet
Friday------6-7:30-----=Ballet
Saturday---11-12:30-----Old School Conditioning

Single class is $18.00
Bundles of 10 or more $17.00
All Payable via VEMNO, PAYPAL, CASH

[email protected] or [email protected]
-Cheerio and see you soon in class-
Elaine B

He became the first American man to win the gold medal at Moscow's International Ballet Competition — on Soviet soil, in a category the Soviets had always considered their own. 🩰

Meet Fernando Bujones — the dancer who proved American ballet belonged on the world's biggest stage.

Born in Miami in 1955 to Cuban parents, Bujones trained with a discipline and hunger that set him apart early on. He joined American Ballet Theatre as a teenager and rose quickly, driven by a relentless work ethic and a refusal to be seen as anything less than the best in the room — regardless of where he came from or who doubted him.

In 1974, at just 19 years old, he traveled to Moscow for the International Ballet Competition, an event historically dominated by Soviet dancers trained within one of the most rigorous ballet systems in the world. Few expected an American to seriously contend, let alone win. Bujones didn't just compete — he commanded the stage, combining explosive technical precision with a clean, confident elegance that left judges with no choice but to award him gold. It was a landmark moment, not just for his career, but for American ballet as a whole.

What made Bujones extraordinary wasn't just his elevation or his turns, though both were exceptional. It was his clarity — every movement deliberate, every line sharp, every performance built on flawless technical control. He danced with the precision of someone who understood that brilliance wasn't accidental. It was earned, repetition by repetition, class by class, year after year.

He went on to perform as a principal dancer with companies around the world, carrying that same relentless standard with him wherever he danced, becoming one of the most respected male dancers of his generation.

Bujones once said technique wasn't the enemy of artistry — it was the foundation that made real artistry possible. Without control, he believed, there was no freedom to truly express anything at all.

Later in life, he devoted himself to teaching and directing, determined to pass that same discipline and standard on to the next generation of dancers, many of whom didn't grow up seeing someone who looked like them at the top of the ballet world — until he showed them it was possible.

Fernando Bujones didn't just win on the world stage. He opened a door that hadn't existed before him.🩰✨