Akal Ranch

Akal Ranch Family owned small farm - Preserving rare and versatile Spanish Mustang/Spanish Barb horses.

United Plant Savers Botanical Sanctuary using permaculture practices

07/01/2024
Raven has been in training at WhiteRaven Equestrian for almost two months now and is doing really well. Yesterday she wa...
03/30/2024

Raven has been in training at WhiteRaven Equestrian for almost two months now and is doing really well. Yesterday she was introduced to long lines and it was very nicely non-eventful. This is how it should go.

I’m happy to have found a training team that is willing to go at a pace that works for her, while keeping her curiosity and building her emotional intelligence.

AR Tru Blue Raven will be three years old in a couple of months.

Tamber Lucas
Ginger Larkins
Whiteraven Equestrian

Updated: We have a couple of rare openings for self-care board. 2 paddocks with run-ins. Locked tack room, 60 x 85 indoo...
03/22/2024

Updated: We have a couple of rare openings for self-care board. 2 paddocks with run-ins. Locked tack room, 60 x 85 indoor arena, 12 x 12 shared feed room and hay storage. Inside stalls available for bad weather days. We can feed hay 1x/day with flexibility to cover vacations, etc.

One side has a track suitable for IR/EMS or Cushing horses. The other side has an attached grass pasture for seasonal use.

Email horseartist at gmail for more information and to schedule an interview. We are a small private facility with owners on site.

Close in Pleasant Hill with easy access to I-5, Creswell, Dexter, Eugene and Springfield.

Wonderful thoughts here from 20 years ago https://www.facebook.com/1182951931827008/posts/2253009968154527/?mibextid=371...
08/14/2023

Wonderful thoughts here from 20 years ago

https://www.facebook.com/1182951931827008/posts/2253009968154527/?mibextid=37120aUUPrDeJY5x

Sadly both Dr Reiner Klimke and Susan Hayes Woods are no longer with us, but this edited interview from 1995 is a pignant reminder that modern dressage started to go wrong over 20 years ago...

SUSAN’S INTERVIEW WITH DR. REINER KLIMKE AT THE AACHEN CHIO JULY 1995

Susan: I was watching you as you schooled Biotop in the indoor arena this morning, and it was wonderful. I noticed you were working him in a fat snaffle, and I wondered if you could talk about the importance of working in the snaffle for upper level horses.

Klimke: I ride at home only once a week on the double bridle.

Susan: Do you mean for most of your Grand Prix horses, or for this one especially?

Klimke: All. I want to have them very light in my hand. It is easier when they are really “through”, and they take the bit and take your hands. Then they are not afraid to come out to the double bridle.

Susan: Biotop seems to be very “out” to the bridle–there is not a lot of overflexing.

Klimke: And when he goes in extensions, the neck and frame extend too. And yet there are horses who make their extensions with overflexed necks and they score just as well…

Susan: Can you explain that?

Klimke: Well, when I tell you this, I don’t want to sound jealous, but I live for classical riding. Classical riding means that the horse must go: that is, the energy must come through and the horse reaches forward. But the judges don’t always mark accordingly. I don’t mind; I know what is right. I have been in this sport for nearly 40 years.

Susan: I also saw today that you were doing a lot of work on the basic paces, and simple transitions.

Klimke: Yes. The horse must go forward and he must be happy. If the horse is happy and he trusts you, then you can teach him. If you punish him, that is wrong.

Susan: They never forget. Is there any place for punishment in riding?

Klimke: I hate to punish a horse. It must not be. It can happen to anybody. Sometimes you lose your patience, you try to make the horse a slave. But it is not right. Sometimes you see riders blowing up, even here, with top riders. I say to myself, “Poor horse, I wouldn’t like to be in your stable.”

Susan: Why does it happen? A lot of these riders will teach and talk about riding classically, and mean to do it, but then it is different here. Is it the pressure?

Klimke: I think everybody wants to win. Perhaps they think if they make a horse tired it will be submissive. Sometimes it may work, but if you really look you can see what is wrong. Some judges don’t have a really good eye, and they judge by punishing mistakes, like too many or too few strides in a pirouette, for example.

Susan: Too much counting and not enough…

Klimke: Yes. The principle is: how is the walk, how is the trot, how is the canter, how is the acceptance of the bridle, how does the back work–all of these things. And in addition, the figures. But they deduct too much if a figure is not 100% okay. You see? If you make a pirouette and the horse really uses his hindquarters, and maybe the pirouette is a little big, you should not be given a 5.

Susan: That’s a little extreme.

Klimke: Yes. It can be at least a 6, can also be a 7, when the horse really canters classically. Even if the circle was too large, remember that you must deduct from 10. The judge must be able to see the main achievement of a horse and rider, in a movement.

Susan: This brings up another question, and that is–there are some amazing equine athletes here, and some of them get a lot of points because of that. Where are the places in the Grand Prix test where the talent can’t cover up the problems with the training?

Klimke: I look only at the way that the horse moves, in all three gaits. He must come from behind, with a swinging back. The head and neck must seek the bit. I hate it if the horse comes behind the vertical and stays there. When the horse is really “through”, you must be able to open and close the frame, and keep him reaching into the bit. And right now, in the judging, in my opinion, this doesn’t count for enough. But sooner or later, good riding will be rewarded. You must not lose your patience, you see. And don’t give up.

https://woodsdressage.com/ for the full interview and about Susan Hayes Woods

Concordia Equestrians.
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Pleasant Hill, OR

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