Dance Theatre of Harlem

Join us in wishing Company Artist Ariana Dickerson a Happy Birthday! 🎊🎉🎂

Ariana is originally from Dayton, Ohio and is currently in her fourth season with DTH. She attended Interlochen Arts Academy ( Interlochen ) and graduated from IU Jacobs School of Music ( Indiana University Ballet Theater ) in 2022. Ariana recently debuted as the Firebird in our 2025/26 season!🐦‍🔥

Drop some celebratory emojis and comments below!! ✨🪩🫶🏽

Join us in wishing a very Happy Birthday to our Artistic Director, Robert Garland! 🎉🎂

📸 Photo: Robert Garland at the 2026 DTH Vision Gala by Cherylynn Tsushima.

Join us in welcoming our new Company Artists this 2026-2027 Season!!

Welcome Michael Shavelle!

Originally from Los Angeles, California, Shavelle received his pre-professional training at Up Studio under Alicia Head and Victor Jarvis before joining the Dance Academy at the Colburn School, directed by Silas Farley. He then began his studies at Columbia University, where he continues to pursue a B.A. in English. While at Columbia, he trained and performed with the Barnard Dance Department and on scholarship at the Dance Theatre of Harlem School. After attending the Jacobs Pillow Contemporary Ballet program, Michael joined Dance Theatre of Harlem as a guest artist for the 2025-2026 season. His repertoire includes works by Robert Garland, George Balanchine, Jerome Robbins, Merce Cunningham, Silas Farley, Annabelle Lopez Ochoa, Houston Thomas, Durante Verzola, Da’Von Doane, Emily Kikta, Antonio Carmena.



Welcome Andre McGregor II!

Andre McGregor II is originally from Savannah Georgia and got his professional training from Kelly & Co. Studios. He previously performed with Charlotte Ballet II and Ballet West II, following his training at the Joffrey Ballet Trainee Program. His repertoire includes works by George Balanchine, Frederick Ashton, Gerald Arpino, and Amy Hall Garner. His featured performances include the Nutcracker Prince in Jean-Pierre Bonnefeux’s The Nutcracker, along with roles in Sleeping Beauty, Wings, One Thousand Pieces, and other classical and contemporary works.



Welcome Amber Harper! Amber Harper began her ballet training at Cincinnati Ballet, advancing through the Professional Training Division before joining the Second Company under the direction of Jodie Gates. Her repertoire includes Don Quixote, Giselle, George Balanchine’s Jewels, Raymonda, and Valse Fantaisie, as well as Gerald Arpino’s Confetti, where she performed the role of the Pink Girl during the Arpino Centennial at Joffrey Ballet. Following the 2025–2026 season as a Guest Artist, Amber joins Dance Theatre

Against the backdrop of one of America’s most recognizable landmarks sits DTH Company Artist Alexandra Hutchinson.

When Arthur Mitchell founded Dance Theatre of Harlem more than 57 years ago, he challenged the nation to expand its vision of who belongs on the ballet stage—and in the American story. That’s what  Classically American® has always meant to us.

We know the Fourth of July can bring up many different emotions. But we also believe it offers an opportunity to reflect on the America we strive toward—one where excellence, artistry, and opportunity belong to everyone.

📸 Alexandra Hutchinson photographed by Peter Foiles Peter Foiles

The weather in New York isn’t the only thing bringing the heat this week! 🔥💙

Join us in welcoming our company dancers back to the studio as we kick off the 2026–27 season!

Visit our website to check out our upcoming tour schedule, and keep an eye on our Instagram for studio rehearsals, performances, and more throughout the season. ✨

Leadership matters most in moments of change.

As the fundraising landscape continues to evolve, Dance Theatre of Harlem Executive Director Anna Glass shares her perspective on how nonprofits are navigating shifting philanthropic priorities:

“So far in 2026, nonprofits have noticed foundations are going deep with the causes that mean most to them.”

Her insights highlight both the challenges and opportunities facing arts organizations today and the importance of leading with purpose, vision, and resilience.

Read more about the changing landscape of philanthropy and Anna Glass’s perspective in The Chronicle of Philanthropy. Link in bio.