Dancify me by Brazilian Zouk

Brazilian Zouk:
Zouk-Lambada (also called Lambada-Zouk or Brazilian Zouk) is a group of closely related dance styles based on or evolved from the lambada dance style and is typically danced to zouk music or other music containing the zouk beat. The name Brazilian Zouk is used to distinguish the dance from the Caribbean Zouk dance style, which is historically related to, but very different from the Lambada dance style. The two dominant styles of Zouk-Lambada are the Porto-Seguro style and the Rio-style. The word Lambazouk is often used to refer exclusively to one or the other style depending on the region you live. The word Lambazouk was originally used to refer to the dance style developed by Daniel and Leticia Estévez López. The Zouk-Lambada dancing styles are among the most popular non-ballroom dances for couples in Brazil, others being Forró, Lambada, Samba de gafieira and Salsa. Rio-style Zouk (also called Carioca Lambada meaning Rio-style Lambada), was first developed in Rio de Janeiro. It is mainly danced in Brazil (Rio and Brasilia), Australia, The Netherlands, Spain and some other European countries. It uses a modified, slower, smoother, even more sensual version of the lambada and is typically danced on Zouk-love style music. In the Netherlands this dance style goes under the name of zouk-love. The Brazilian zouk dance style was first developed in the Ilha Dos Pescadores in Rio de Janeiro around 1989. In the Netherlands it was first introduced (in the early 2000s) by Claudio Gomes. Today Brazilian zouk is also danced on R&B, Latin pop and Arabic music, mixed with a zouk music beat. Unlike salsa, which is led with the hands; Brazilian zouk is led by more parts of the body, noticeably the glued-to-each-other hips of the partners. Thus, in a basic sideways movement, it is the hips that move first, followed by the rest of the body, and this is part of what makes the dance so sensual. However, in various moves the dance partners are also connected by eye contact, legs, arms, shoulders, head, etc. When practicing zouk in dance classes, teachers generally warn women to be very careful with their backs and necks, as two of the most distinctive and commented-on movements are the cambré (arching backwards to a greater or lesser degree, sometimes even below the waist) and the specific 'hair movements' or ' head movements' for the woman. If not done properly this could lead to injury. As of today Brazilian zouk is becoming well known and apart from the faster original style Lambada (Porto Seguro style) and the latter development Brazilian zouk, some people distinguish other substyles of like Soulzouk, NeoZouk and Zouk-Revolution. Whether these are truly separate styles or just individual ways of dancing is, however, still a point of debate. Our main style in at I Love Dancing and in Norway is Brazilian Zouk Love/ Zouk Rio Style. We might also use elements from NeoZouk, Zouk Flow, Soul Zouk, Revolution Style, Vero Zouk, etc.