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Bharatanatyam Jati in Adi Talam | Pure Dance |

|Chaturasra Jaathi Triputa Talam: Laghu Dhrutam Dhrutam
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Aksharas: 4 2 2 = 8

Tala Theory:

Tala is the term used in Indian classical music for the rhythmic pattern of any composition. Carnatic music uses a comprehensive system for the specification of talas, called the SAPTA TALA SYSTEM.
The tala is defined by the number and arrangement of aksharams inside an avartanam.
According to this system, there are seven families of talas, each of which has five members, one each of five types or varieties (jaati or chapu), thus allowing thirty-five possible talas.

The Sapta Talams are as follows:

1. Dhruva Talam
2. Matya Talam
3. Rupaka Talam
4. Jhampa Talam

5. Thriputa Talam
( Chathurushra Thriputa Talam is also called as Adi Talam)
6. Ata Talam
7. Eka Talam

Each of these Talams can be categorized into 5 different types of Talams depending on their Jaathis. Jaathis meaning variety in which the Laghu counts can vary from being 3-9 and are of the following types:

1. Thisra Jathi which has 3 beats Ta Ki Ta

2. Chathurushra Jathi which has 4 beats Ta Ka Dhi Mi

3. Khanda Jathi which has 5 beats Ta Ka Ta Ki Ta

4. Misra Jathi which has 7 beats and Ta Ki Ta Ta Ka Dhi Mi

5. Sankeerna Jathi which has 9 beats. Ta Ka Dhi Mi Ta Ka Ta Ki Ta

There are three sub-patterns of beats into which all talas are divided; Laghu, Dhrutam and Anudhrutam.

A Dhrutam is a pattern of 2 beats. This is notated ‘O’.

An Anudhrutam is a single beat, notated ‘U’.

A Laghu is a pattern with a variable number of beats, 3, 4, 5, 7 or 9, depending upon the type of the tala. It is notated ‘1’

Every Tala-type has 5 Jaati variations.
The result lines up to 5*7=35 different Talas.

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