08/31/2026
I've been working hard the past few years to understand and develop my classical understanding and skills, my art. Slowly, the more I know and feel confident, the more I've been sharing.
Bettina Biolik has many educational webinars in her classroom.
Enjoy the read and the webinar!
I found this interesting passage in Gustav Steinbrecht’s book “The Gymnasium of the Horse” that I want to share with you.
But first let me give you some contexts.
Riding the horse one-handed in a curb bit was an important goal throughout much of the history of European military and courtly riding. You see this on almost all old paintings, statues, coins, sculptures.
It was necessary to be able to ride the horse with one hand while holding a sword, lance or another weapon in the other. Traditionally, the reins were commonly kept in the left hand, leaving the right hand free for the weapon. Also in the working horse traditions, like the Vaquero, you ride one-handed.
Some of the old masters explicitly mention using a cavesson for the education of the green horse, as long as necessary to be able to ride it in a curb only.
Now enter Gustav Steinbrecht (I’ve added some explanations in brackets):
“If, in connection with riding, mention is made generally of only one rein hand, this of course means the left hand, which holds the curb reins, the major reins. However, guiding a horse with the left hand alone requires a completely trained horse that is capable of responding to the curb only. The old masters, who had time and means for such thorough work, knew only the curb as the bit for the well-ridden horse and placed their little finger between its two reins. For preparing the green horse, they used the cavesson. Today, since we have once and for all added the bridoon (snaffle) and its two reins to the curb bit (meaning the double bridle), we admit right from the start that we do not intend to, or are not able to, work our horses to such perfection that they can be mastered under all circumstances with only the curb reins in the left hand. By admitting this, we ask for almost the impossible if we want to guide our horses, that are trained for military duty (campagne horses, meaning not highly schooled horses, just balanced walk, trot, canter with a bit collection), strictly with the same hand movements as the masters did with their dressage (school-) horses. Because of the differences in our bits, and primarily the less perfect carriage of the horse, we must also modify the hand aids just as we must adapt our seat to the changed confirmation of our present-day horses and to the English saddle.” (Gustav Steinbrecht. The Gymnasium of the Horse, p. 19-20, Xenophon Press 2017)
Isn’t this interesting?
Steinbrecht admits the decline of the art of riding, so that it’s not possible anymore to ride the horse one-handed on a curb, and the double bridle is used instead of cavesson and curb. He clearly sees the use of the double bridle a step down from the one-handed riding in a curb.
Because of the French Revolution and the following Napoleon Wars, the carriers of the riding culture (the nobility) had vanished and with it many royal and courtly institutions in which riding was practised as an art.
The Napoleonic Wars then required enormous numbers of horses and riders.
The purpose of riding education changed. The lavish courtly riding art was increasingly replaced by military systems that had to educate large numbers of riders and horses in a relatively short time.
It has taken over a century, but the art of riding is thriving once more. Not at the royal courts and not in the cavalry schools.
WE are now the carriers of the art of riding! We have the time and money (even if we often don’t feel like that ;) ). We can revive some lost practices and form communities to practice our art.
If you are curious to know more: Tomorrow, September 1st 2026, I’m teaching a webinar about the 3:1 reinhold. You are warmly invited! (Free for Classroom members).
👉Link to register: https://www.bettinabiolik.com/3-1-reinhold-webinar
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