Searching for Stones with Jackie Morris
How do you ground yourself in the landscape you live in?
Jackie Morris, our Ffern Artist for Autumn 26, paints labyrinths, feathers and hares onto stones, and leaves them to be found…
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Ffern
We are an organic, seasonal fragrance maker. We make four fragrances per year, released at the turn of the seasons for the names on our ledger.
The night sky • Autumn 26
Unfolding over the moorlands is a blanket of twinkling stars. Amid silvered moonlight, constellations unveil themselves as the night grows cool.
Inspired by this mysterious expanse unfurling across the heavens, we created the purple, moonlit notes of Autumn 26 °.☾.࿔*:⋆
24/08/2026
Moonlit rituals • Autumn 26
This season’s Perfumer’s Candle speaks of autumn evenings on a heather moor, deep colours blooming in the luminous moonlight.
To help you settle into the more restful half of the year, we chose ingredients for their relaxing qualities. Soothing lavender Maillette sits at the heart, cocooned in the herbal warmth of chamomile, while creamy sandalwood ushers in the amber softness of Peru and gurjun balsams.
Take a moment to light your candle an hour or so before bedtime. Perhaps this is your time to relax with a book, or a gentle craft, as you shake off the day and let our beautiful natural fragrance oils soothe you.
Catching Souls with Jackie Morris
Celebrated illustrator Jackie Morris is our Ffern Artist for Autumn 26. Here she introduces her beautiful painting, Shape Shifter - a printed poster of which will arrive with each bottle of this season’s fragrance 🌙
We visited Jackie at home on the wild Pembrokeshire coast, to be entranced by her studio and wise reflections on art and life, revealing an artistic practice rooted in her deep belief that we are not separate from nature, but part of it.
You can hear more from Jackie on August’s Found Sound podcast episode, with - available to listen wherever you find your podcasts.
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°.☾.࿔*:⋆
Jackie uses taxidermy as part of her artistic process - all of her taxidermy is antique or made by craftspeople from animals who have passed on naturally.
20/08/2026
Lavandin Grosso • Autumn 26
For the shimmering lilac tones of our first fougère fragrance, we turned to Lavandin Grosso, a natural hybrid of true lavender and spike lavender. Grown for centuries in Provence, France, the flower yields a scent that’s more herbaceous than true lavender’s, distinctly brighter with cleansing touches of camphor. In Autumn 26, Lavandin Grosso evokes wild herbs among the heather, flowering like a carpet across the moonlit moor.
19/08/2026
Immortelle • Autumn 26
An evergreen shrub whose yellow flowers have no petals, immortelle grows across the Mediterranean’s wild scrubland. Called ‘gold sun’ by the Ancient Greeks, it is a hardy plant that thrives amid craggy rocks and sun-baked soil. This autumn, we turned to immortelle, a new ingredient in our palette, for its earthy, syrupy, grassy scent, to capture sun-dried heather on the moors.
18/08/2026
From Iris to Orris • Autumn 26
For the powdery, suede-like texture of our moonlit autumn fragrance, we called on precious orris. One of perfume’s rarest and most valuable ingredients, creating orris requires care, patience, and time. Read on to discover how a flamboyant bearded iris becomes smooth, silky orris butter.
Thank you to Falls and Standards, whose bearded irises we captured here on film. An offshoot of floral studio, VERVAIN, Falls & Standards was founded by India and Christopher Hurst, who grow around 200 stunning varieties of bearded iris on their farm in Worcestershire.
Among the blooming heather • Autumn 26
At the end of summer, the heather blooms…
On the moors of Northumberland, sculpted by smooth knowes and rocky crags, the heather rolls away to the horizon in a quilt of grape, burgundy, mauve, softest lilac - its honey-herbaceous scent called into life by the late summer sun, harvested by hot sleepy bees.
Autumn 26 bottles those scents and colours - shading them towards dusk, to be illumined again by the rise of the harvest moon.
°.☾.࿔*:⋆
How to make an anthotype
Anthotype prints were first developed in the 19th century. They are created using light sensitive plant pigments to create images through sun exposure. They’re sustainable but ephemeral, so photos or scans are the best way to record the results - you can then admire how the print continues to change 🌞
Here is our guide to creating one - a good activity for these endless sunny days.
1. First collect plants or objects you’d like to print with.
2. Gather fresh heavily pigmented ingredients - we have used beetroot, turmeric, spinach and blackberries - and blend.
3. Measure out ¼ ingredient purée to ¾ rubbing alcohol and combine.
4. Paint around four layers of your solution onto sheets of card.
5. Dry flat in a dark or shadowed space such as in a cupboard.
6. Once dry, lay your gathered objects or plants flat on top of the sheets.
7. Cover with weighted perspex or a thin sheet of glass and expose to direct sunlight.
8. Prepare 1 litre of water in a mixing bowl and add 2 tablespoons of baking soda. Stir well.
9. Remove your objects from the paper to reveal darker printed areas, then rinse in your solution to help fix the print.
10. Hang or lie flat to dry, and watch the colour change.
12/08/2026
What is a Fougère? • Autumn 26
Autumn 26 is our interpretation of a fougère, the classic olfactive category that is meant to smell like ferns feel.
Intriguingly named after the French word for a plant that has no scent, these fragrances recreate the freshness of the forest floor, built upon notes of lavender, oakmoss and coumarin, warm and vanillic from tonka bean.
Since their nineteenth century origins, fougères have come in many guises - ours is all shimmering lilac tones, with a brushed characteristic. A textural fragrance, with a braid of orris and violet leaf woven through the heart.
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