DCS - Digital Camera Systems

DCS - Digital Camera Systems

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Frame accurate metadata. Any camera. Any lens.

11/08/2026

LDT-A2. Precision metadata for large body ALEXA.

Compatible with XT, LF and 65.

Reads Focus, Iris and Zoom directly from your lens control system, plus optional LDT-E1 encoder input.

Translates and writes ARRI compatible lens metadata straight into ARRIRAW files. In camera. In real time.

Works alongside Preston MDR3/4/5 and HU3/HU4 workflows.

250g. Built for set.

Get in touch for more info: [email protected]

04/08/2026

LDT-E1 & LDT-E2 ⚙️
DCS’s own lens encoders, no lens control system required.

The LDT-E1 tracks one axis of manual movement, with interchangeable cogs for standard cine lenses or Panavision glass. Need more than one axis? The LDT-E2 adds an extra port so multiple units can be linked together, covering focus, iris and zoom at once. Perfect for virtual production when there’s no smart lens or lens control system in play.
Simple, motorless, and built to feed accurate lens data straight into your LDT.

Get in touch: [email protected] or visit dcs.film

28/07/2026

Two DCS units, one seamless lens data workflow. 🎥

The LDT-R2 builds the lens map. 🔗 The LDT-M2 takes it straight into your Alexa’s ARRIRAW files, live, via LBUS.

No manual transfers, no extra steps on set.

R2 handles the encoding. M2 handles the injection. Together, accurate lens data ends up exactly where it needs to be, inside your files, automatically. ✅

Get in touch for more details: [email protected]

21/07/2026

LDT-R2 🎬
Lens data, injected or recorded, your choice.
Builds the lens map right on the device. Send it straight into your camera’s RAW files, or record it as timecode based CSV on a MicroSD, ready for post.
Compatible with RED, Panavision DXL and Sony Venice/Venice 2.
120 × 74 × 30mm. 260g.
Get in touch: [email protected] or visit dcs.film

15/07/2026

Lens Link Seminar.
Panavision Woodland Hills, LA, 17 July, 2–4pm.
Come see the Lens Link in action, ask questions, get hands on with the kit.
Gary and Tom will be running the demo.
Places limited. Link to register in bio from IG account.

14/07/2026

Long distance. Rock solid signal.

Connect Lens Link to the DCS Bridge and RX1 via Ethernet, and your setup becomes a long range wireless focus pulling system.

No more being tied to the camera. Operate your focus unit from up to 2km away, wherever the shot takes you.

Get in touch for more details: [email protected]

07/07/2026

LDT-V2 📡
Wireless live lens data, straight into your virtual production pipeline.
Plug in. Press record. Every focus pull, every iris change, every zoom captured frame by frame and streamed instantly into Unreal, Disguise, Stage Precision or Aximmetry. LDT-RX1 required for wireless.
Works with any lens control system, smart lens or the DCS LDT-E2 encoder. Camera and lens agnostic when streaming. If you need data injected directly into camera: compatible with RED, Panavision DXL and Sony Venice.
120 × 74 × 30mm. 285g.

Get in touch: [email protected] or visit dcs.film

30/06/2026

Lens Link 🎬

Monitor and control lens motors from anywhere on set.
Lens Link transmits wirelessly straight to the DCS Bridge on camera, which connects to your Preston MDR for precise motor control. Long-range. Reliable. Bespoke.
Built with DITs in mind, but perfect for 1st ACs and DOPs too. Works with any axis control.
Preston MDR and Bridge required for operation.

Get in touch for more details: [email protected]

08/05/2026

We're live in Budapest! 🎥

Find us at Astra Filmland, stand 400–500 at Euro Cine Expo today and tomorrow (8th–9th May). Come and see two things we're particularly excited about right now:

Lens Link — extreme range wireless lens control. Whether you're shooting across a vast location or just want to cut the cable, Lens Link extends your reach further than you'd think possible.

LDT-V2 — wireless lens data for virtual production. Live, accurate FIZ data streamed straight into Unreal Engine and other media players, without the cable run back to the volume.

Two very different problems. Two very clean solutions. Come and see them both in action.

18/03/2026

Project Hail Mary hits cinemas on the 20th. ✨

When a film is built around science — and a VFX budget to match — every piece of data captured on set matters. Our LDT-A2 was on set to ensure lens metadata was recorded accurately, frame by frame, so the VFX team could focus on telling the story rather than solving problems in post.

Lens data. The detail that makes the difference.

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